Early on in
this quarter, Christine mentioned briefly that the use on atomic weapons in
Japan worked to erase from public memory their own war atrocities that they
committed in China and Korea. This issue
of the invisibilization of violence was brought up for me while I read Barefoot
Gen. Nakazawa’s character, Mr. Pak, is presented
as a victim of violent imperialist projects of Japan. Through family dialogue, we come to understand
how Mr. Pak’s life has been affected by the war: Japan colonized Korea and brought
people over to work and fight for their side.
Mr. Pak’s experience is characterized by his
uneven incorporation into Japanese society.
He has been separated from his family and is treated as a complete
outsider. This character is crucial to
Gen’s survival and emotional well-being as he represents freedom from
ideological slavery, and is also against the war. This character piqued my curiosity about
Koreans in Japan during this time. In researching
the Korean War, China’s and Japan’s presence in Manchuria, and Koreans and
Chinese in Japan during this era, I am reminded again and again of the
definition of racism that situates the subjugated victim of racism close to
danger and death. Both Japan’s
imperialistic colonial role in neighboring countries and the U.S. involvement
(sponsoring) of conflicts in this area during and after WWII demonstrates
extreme states of racism. Mr. Pak’s
character is integral to visibilizing Japan’s cruelty and criminality during
war times, especially on racialized subjects, for as Christine briefly
mentioned, the victims of violent conflicts are endowed with an aura of blamelessness
that can work to obscure internal, domestic mistreatment of people.
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